Showing posts with label humor. Show all posts
Showing posts with label humor. Show all posts

Made of Bricks


Title: Made of Bricks
Artist: Kate Nash
Label: Interscope
Copyright: 2008
ASIN: B000V3L0ZK

Description and Critical Evaluation
Kate Nash was just 20 when she started topping the charts in her native England. Her first album, Made of Bricks, is a frenetic jumble of catchy tunes and talky lyrics. Her scathing observations on dating and rapid-fire delivery make for some laugh-out-loud moments. Like Regina Spektor, Nash uses a lot of piano, often combined with electronic accompaniment. She also plays the guitar on several tracks. Her singing voice is solid and expressive, but limited in range and not especially resonant. An unusual characteristic of her style is that her British accent comes through quite clearly in her singing.

After the short, forgettable, and irritating first track, “Play,” the hit single “Foundations” gets the ball rolling with a driving beat and bitingly funny lyrics: “You said I must eat so many lemons ‘cause I am so bitter/I said ‘I’d rather be with your friends, mate, ‘cause they are much fitter.’ ” Track 4, “Dickhead,” is much mellower, with slow finger snaps in the background and a repetitive (and profane) chorus. However, it’s no less caustic: “Think you know everything/You really don’t know nothing/I wish that you were more intelligent/So you could see that what you’re doing is/So sh***y to me.” “Birds” is a happier and even sillier song. Unless you pay close attention to the words you may not notice this—the soft strumming of the guitar makes it sounds contemplative. But if you stop to listen, you’ll hear this ridiculous chorus: “Like birds can fly so high and they can s*** on your head/They can almost fly into your eye and make you feel so scared/But when you look at them and you see that they’re beautiful/That’s how I feel about you.” Track 6, “We Get On,” is another great story of dating pitfalls. Nash sings about a man she doesn’t know very well, but with whom she thinks she would just “get on.” She goes to a party hoping to see him and walks in on him kissing another woman. The way her friends comfort her is pitch-perfect: “My friends were like, “Whatever, you’ll find someone better/His eyes are much too close together and we never even liked him from the start/And now he’s with that tart … /He’s not worth your time, ‘cause you deserve a real nice guy.” “Mariella” is one of the most original pop songs I know. It’s the story of a girl who refuses to conform, by gluing her lips together. (“If I want to play, I can play with me/If I want to think, I’ll think in my head.”) Nash uses a range of vocal styles, including talking, shouting, and a very impressive feat of fast articulation—something like 20 repetitions of the word “ever” in a row. “Nicest Thing” is a song of longing, complete with (sometimes out of tune) violin and tongue-in-cheek lyrics: “I wish you knew that when I said two sugars, actually I meant three/Basically, I wish that you loved me.” The album closes on a peppy note with “Merry Happy” (a sarcastic title). Best line: “Don’t try and tell me that you never loved me/I know that you did ‘cause you said it and you wrote it down.”

Why is this title included?
Kate Nash's tales of relationship woe will strike a chord with young women everywhere, from teens through thirty-somethings. Her music is so infectious and her lyrics are so funny that boys will probably like her, too, if they give her a chance.

10 Things I Hate About You

Title: 10 Things I Hate About You
Director: Gil Junger
Studio: Touchstone Pictures
Copyright: 1999
ASIN: B00000K31Q

Age Level/Interest Age: Grade 7 and up

Genre: Comedy

Viewer’s Annotation: In this modern take on Shakespeare's The Taming of the Shrew, Kat (Julia Stiles) refuses to date until Patrick (Heath Ledger) wins her over.

Plot Summary
Kat and Bianca are sisters, but they could hardly be more different. Kat, a senior, has just been accepted to Sarah Lawrence. She is a staunch feminist, listens to alternative music, and has exactly one friend at school. She is uninterested in dating. Bianca, a sophomore, is beautiful (and vain), popular, and eager to date. Though the girls don’t get along very well, they’re united in their frustration with their father. He won’t allow Kat to go to Sarah Lawrence and he won’t allow Bianca to date. He finally relents slightly with a new rule: Bianca may date if and when Kat does.

Meanwhile, Cameron, the new kid in school, has fallen for Bianca and arranged to tutor her in French (even though he doesn’t really speak French). When Bianca tells him about her father’s rule, he comes up with a plan. He convinces Joey, a rich, popular senior who’s also interested in Bianca, to pay someone to date Kat. But first they have to find someone crazy enough to do it. Enter Patrick, an outsider with a reputation for wildness. With some coaxing, he gets Kat to go out with him a few times. Bianca starts dating Joey, but Cameron is still looking for his chance with her. Unflattering revelations about both of the sisters’ beaux lead to a dustup at the prom. 

Critical Evaluation
Though 10 Things I Hate About You doesn’t avoid all the teen movie clichés, it is still smarter and funnier than most of what passes for teen romantic comedy. It also wins by having a female lead who has interests and aspirations beyond beauty and boys, and by not forcing her to change to get the guy. (Okay, she changes a little bit. But just by opening up to people.) Julia Stiles is very appealing as Kat, playing her as unusually serious for this type of role. Heath Ledger as Patrick is a very cute, warm-hearted bad boy and Joseph Gordon-Levitt as Cameron is funny and endearingly dorky. Less successful are the stock side characters, especially the overprotective father and the geeky AV kid, who are more annoying than funny. There many shout-outs to the source material, from characters' names to actual quotes from Taming of the Shrew. The overall effect is one of earnestness. One other quibble: though the movie is set in Seattle, it never rains. Realism FAIL.

Curriculum Ties: English--Shakespeare--The Taming of the Shrew

Booktalking Ideas: N/A

Challenge Issues: Language, alcohol, sex talk

In the defense file, I will include my library's selection policy, ALA's Library Bill of Rights, ALA's guidelines on free access to libraries for minors (http://www.ala.org/ala/issuesadvocacy/intfreedom/librarybill/interpretations/freeaccesslibraries.cfm), and ALA's strategies and tips for dealing with challenges to library materials (http://www.ala.org/ala/issuesadvocacy/banned/challengeslibrarymaterials/copingwithchallenges/strategiestips/index.cfm). I will also include my library's reconsideration form, in case challenges to this book cannot be defused with "tea and sympathy." I'll include a positive review from the Edinburgh University Film Society, mixed reviews from The New York Times and Roger Ebert, and negative reviews from The San Francisco Chronicle and The San Francisco Examiner.

About the Author: N/A

Why is this title included?
This smart comedy has appealing leads. It's very re-watchable.

Whip It

Title: Whip It
Director: Drew Barrymore
Studio: 20th Century Fox
Copyright: 2010
ASIN: B002VPTJOA

Age Level/Interest Age: Grade 7 and up

Genre: Comedy

Viewer’s Annotation: Reluctant beauty pageant participant Bliss discovers the world of roller derby and becomes "Babe Ruthless."

Plot Summary
Ellen Page of Juno fame plays Bliss, a seventeen-year-old dying to get out of her tiny Texas hometown and the beauty pageants her overbearing mother forces her to compete in. She finds her passion in an unlikely place: an Austin roller derby team called the Hurl Scouts. Lying to her parents about her activities and the team about her age, she adopts the name Babe Ruthless and becomes an overnight star, giving the Hurl Scouts their first shot at a championship in a very long time. Bliss juggles school, roller derby, and her waitressing job at the Oink Joint, a barbecue diner, where she works with her best friend, Pash. At a post-game party she meets Oliver, a cute boy from a local rock band, and they begin dating. Everything comes crashing down when Bliss thoughtlessly leaves Pash behind in Austin, resulting in her parents learning what she’s been doing and the league learning that Bliss is underage. On top of all this, Oliver stops calling. With a little encouragement from her roller derby friend Maggie Mayhem, though, Bliss sets about mending all of the hurt feelings, including her own.

Critical Evaluation
Drew Barrymore’s directorial debut is entertaining and very sweet. Though its plot is predictable—the Hurl Scouts rise from underdog status to having a shot at the championship, the star player is disqualified just before the big game—it’s executed with smart writing and sensitivity. And the characters may be stereotypes—the wisecracking best friend, the domineering mother forcing her own dreams on her daughter—but the excellent acting gives them life and believability. Alia Shawkat is hilarious as Pash, Marcia Gay Harden brings complexity to the mother role, Kristen Wiig nails the wise but funny mentor, and Juliette Lewis is great as the arrogant and aggressive (but not too villainous) rival team’s captain. Barrymore has a modest role as a lovable goofball who goes by Smashley Simpson. Page uses both her trademark sharp tongue and wonderfully expressive eyes to great effect, creating a character that, though similar to her breakout role in Juno, is distinct. What makes this movie especially winning, though, is that all of the performers seem to be having the time of their lives. I knew nothing about roller derby before I saw Whip It, but the Hurl Scouts make it look like most fun a girl could possibly have.

Curriculum Ties: N/A

Booktalking Ideas: N/A

Challenge Issues:
Language, sexual content, drugs and alcohol

In the defense file, I will include my library's selection policy, ALA's Library Bill of Rights, ALA's guidelines on free access to libraries for minors (http://www.ala.org/ala/issuesadvocacy/intfreedom/librarybill/interpretations/freeaccesslibraries.cfm), and ALA's strategies and tips for dealing with challenges to library materials (http://www.ala.org/ala/issuesadvocacy/banned/challengeslibrarymaterials/copingwithchallenges/strategiestips/index.cfm). I will also include my library's reconsideration form, in case challenges to this book cannot be defused with "tea and sympathy." I'll include positive reviews from The Boston Globe, The San Francisco Chronicle, and Roger Ebert, a mixed review from Salon.com, and a negative one from USA Today.

About the Author: N/A

Why is this title included?
This a funny, smart girl power movie that teens are likely to enjoy even more as they get older.

Scott Pilgrim vs. the World

Title: Scott Pilgrim vs. the World
Director: Edgar Wright
Studio: Universal Studios
Copyright: 2011
ASIN: B0041T52S6

Age Level/Interest Age: Grade 9 and up

Genre: Comedy

Viewer’s Annotation: Scott, a pretty average guy, wants to date the awesome Ramona. Unfortunately, he has to defeat her seven evil exes first.

Plot Summary
Scott Pilgrim is a bum. Though he’s in his early twenties, he doesn’t have a job and lives rent-free with a wealthy roommate. He spends much of his time playing in a rock band, Sex Bob-Omb, that’s on the verge of success. At the beginning of the movie he has started dating a high schooler, Knives Chau, because it’s easy. Then he meets the awesome new girl in town, Ramona Flowers. With a little persistence he gets her to go out with him, but soon learns that if they’re going to date he will have to defeat all seven of her evil exes in video game-style combat. At the same time, Sex Bob-Omb is competing in a battle of the bands and Scott is busy avoiding Knives. Among the exes Scott must defeat are an action-movie star, the bass player in Scott’s ex-girlfriend’s famous rock band, and a big shot record label owner. He uses a combination of trickery, skill, and musical prowess in the battles, and later gains the “powers” of love and self-respect by taking responsibility for his actions and committing to his feelings for Ramona.

Critical Evaluation
Scott Pilgrim is a frenetic romp of a movie with a unique visual style, loads of pop culture references, and near-constant laughs. The plot may be thin and nonsensical, but the lightning dialog and video game-style action make it hard to care. The characters are thin, too, but intentionally so—some of them even go by epithets that convey all the information we ever get about them, such as Stephen “The Talent” and Young Neil. Thinness of character is a problem, though, when it comes to the two leads. Scott is supposed to be crazy enough about Ramona to risk his life seven times over, but all we know about her is her looks and her dating history. And why Ramona would like Scott is even more of a mystery—he’s not only a bum, he’s also goofy looking and not particularly nice. The actors can be divided into two groups—those who ham it up (most of the exes and the hilarious Kieran Culkin as Scott’s gay roommate) and those who speak their lines in snarky voices with limited acting involved (notably Michael Cera as Scott, who, though he’s turned down the sweetness here, plays essentially the same character in every one of his movies).

The script is fast-paced and consistently funny, combining sarcasm, puns, and rhyming with absurd situations. In my favorite scene Scott fights an evil ex with “vegan powers” (earned at the “Vegan Academy,” of course). His vegan powers make him too strong for Scott, who tricks him into drinking dairy (by claiming the coffee he’s offering contains only soymilk). This breach brings the “Vegan Police” into fray, and Scott crows in triumph, “You once were a ve-gone, but now you will be gone!”

Curriculum Ties: N/A

Booktalking Ideas: N/A

Challenge Issues: Sexual and homosexual content, language, mild violence

In the defense file, I will include my library's selection policy, ALA's Library Bill of Rights, ALA's guidelines on free access to libraries for minors (http://www.ala.org/ala/issuesadvocacy/intfreedom/librarybill/interpretations/freeaccesslibraries.cfm), and ALA's strategies and tips for dealing with challenges to library materials (http://www.ala.org/ala/issuesadvocacy/banned/challengeslibrarymaterials/copingwithchallenges/strategiestips/index.cfm). I will also include my library's reconsideration form, in case challenges to this book cannot be defused with "tea and sympathy." I'll include positive reviews from The New York Times, Christianity Today, Rolling Stone, USA Today, and The Village Voice.

About the Author: N/A

Why is this title included?
This popular, well-reviewed movie is based on a popular series of graphic novels and has a popular young actor as its lead. Its PG-13 rating indicates that it targets high school students.

Ten Miles Past Normal

Title: Ten Miles Past Normal
Author: Frances O'Roark Dowell
Publisher: Atheneum
Copyright: 2011
ISBN: 9781416995852

Reading Level/Interest Age: Grades 6-10

Genre: Contemporary--Coming-of-Age

Reader’s Annotation: Janie used to love life on the farm, but now that she's in high school it suddenly doesn't seem so cool.

Plot Summary
It was Janie’s idea to move to a farm in the first place. She used to love everything about it—and still does love the goats she milks and her mom’s newfound cooking prowess. But now that Janie’s in high school, the farm is suddenly social kryptonite. She’s had a couple of unfortunate incidents—hay in her hair, goat poop on her shoe—that have earned her the nickname “Skunk Girl” and caused her to shun the cafeteria. In the library, where she goes to hide during lunch, Janie meets Verbena, who is as odd as her name, and the two strike up a tentative friendship. Meanwhile, Janie and her longtime best friend, Sarah, seem to be drifting apart. Since the first day of school they’ve been chatting with cute junior Jeremy Fitch about joining the Jam Band. One day Jeremy asks his friend Monster to make the girls a mix tape. Monster tries to teach Sarah to play bass, but it turns out that Janie is the one with an aptitude for the instrument. Janie is hurt when Sarah quickly loses interest in her new hobby. Soon Monster and Janie are falling for each other, and she and Sarah are on the trail of an exciting story from local history. Janie is finally starting to feel more comfortable at school when her mom decides to ruin her social life forever by throwing a big embarrassing hootenanny on the farm.

Critical Evaluation
This is a light, funny read. Though Janie’s problems feel very real to her, in comparison with the problems of the teens from the “Issues” titles they don’t even register. Dowell refrains from creating the kind of false conflict so typical of high school stories. Though Janie hurts Monster’s feelings early on by accepting a ride from Jeremy when she was supposed to be riding with him, Monster doesn’t respond with jealousy or anger, and she quickly recognizes her mistake. Likewise, though Sarah comes down a few notches in Janie’s estimation in the course of the book, this doesn’t erase their years-long friendship. The ending feels a little too easy (and comes much too soon), but this book nevertheless provides a valuable, gentle lesson on perspective—Janie learns that all she needs to do to get over her isolation embarrassment is be a little bit brave.

Janie’s is one of the best teenage voices I’ve encountered. She actually sounds like what she’s supposed to be—a smart but typical fourteen-year-old—and she’s very funny to boot. Take this ingenious aside, for instance: “We were sitting at the dinner table, eating a Stouffer’s frozen lasagna that hadn’t quite gotten heated all the way through (‘Think of it as lasagna sorbet,’ my mother suggested, and I was so young and enthusiastic at the time that I actually tried to think of it that way)…” A colorful cast of characters, from Monster’s redneck grandma to Sarah’s wild-child big sister’s biker boyfriend with a heart of gold, ensures that each of the several subplots is entertaining.

Curriculum Ties: N/A

Booktalking Ideas: Read Chapter 2, "A Brief History of How I Ruined My Own Life"

Challenge Issues: N/A

About the Author
Frances O’Roark Dowell is the bestselling and critically acclaimed author of Dovey Coe, which won the Edgar Award, Where I’d Like to Be, the bestselling The Secret Language of Girls, and its sequel The Kind of Friends We Used to Be, Chicken Boy, Shooting the Moon, which was awarded the Christopher Medal, the Phineas L. MacGuire series, and most recently Falling In and the teen novel Ten Miles Past Normal. She lives with her husband and two sons in Durham, North Carolina.

Some Facts About Me

I was born May 30, 1964, in Berlin, Germany. My dad was in the U.S. Army at the time, and I was born on a military post, so I’ve always been an American citizen.

The places I have lived in my life:
Berlin, Germany

Charlottesville, Virginia (two times)

Springfield, Virginia (two times)

Ft. Leavenworth, Kansas

Bad Kreuznach, Germany
Killeen, Texas

Winston-Salem, North Carolina

Amherst, Massachusetts

Northampton, Massachusetts

Chapel Hill, North Carolina

Durham, North Carolina (two times)

Boone, North Carolina

Elizabethton, Tennessee

Liberty, North Carolina

Carrboro, North Carolina

Raleigh, North Carolina 

(I currently live in Durham, North Carolina)

My Family
I am married and have two sons. I have a dog named Travis, no cats. I have two brothers, one older and one younger, four nieces and one nephew. 
http://francesdowell.com/biography/

Why is this title included?
I read about this book in an NPR article that identified five recent YA releases with crossover appeal for adults (http://www.npr.org/2011/08/09/137456199/hooray-for-ya-teen-novels-for-readers-of-all-ages). It's a nice counterbalance to the heavy "Issues" titles--a good choice for teens looking for a happy book for a change. Though it's at the younger end of our age range, it's entertaining enough for older readers, too. I thoroughly enjoyed it.

Angus, Thongs and Full-Frontal Snogging

Title: Angus, Thongs and Full-Frontal Snogging: Confessions of Georgia Nicolson
Author: Louise Rennison
Publisher: Recorded Books
Copyright: 2001 (original 1999)
ASIN: B000BEVWJ8
Format: Audiobook

Reading Level/Interest Age: Grades 7-12

Genre: Romance--Chick Lit

Reader’s Annotation: Georgia takes lessons from a professional kisser, pines after the Sex God she met at the greengrocer's, and tries to prevent her enormous cat, Angus, from eating the poodle next door.

Plot Summary
Georgia begins her account with a recitation of her life’s woes, among them that she has recently humiliated herself by going to a party dressed as a stuffed olive. At 14 Georgia is appearance- and boy-obsessed, but she still enjoys “mad” childish antics with her girlfriends, such as breaking into the hut of the grumpy old groundskeeper at their school. She lives with her parents; her three-year-old sister, Libby; and her unusually large and fierce cat, Angus. Early on she meets Robbie, whom she dubs “the Sex God,” at the greengrocer’s. When Georgia discovers that he’s dating the idiotic Lindsey, she starts plotting to take Lindsey down. She first hopes to beat Lindsey in a tennis tournament (but is eliminated after an unfortunate flying-racquet incident) and later stalks Lindsey as she prepares for a date with Robbie. Without fully intending to, Georgia dates first a professional kisser and then a hooligan from down the street, and inadvertently earns Robbie’s scorn at every turn. The plot thickens—Georgia’s dad moves to New Zealand, where he hopes to make a new home for his family, and Georgia suspects her mom of having an affair with the interior decorator. Events reach a crisis when Angus goes missing.

Critical Evaluation
Angus is a satire in the vein of Bridget Jones’s Diary. Like Fielding, Rennison is a master of colorful characterization and is merciless in skewering her narrator. Georgia is ludicrously self-absorbed (as illustrated by a conversation in which she yells at her mom for marrying her dad, thus cursing Georgia with his outsized nose). She is also petty and thoughtless, but grows more likable as the book goes on. She is the only one of her group of friends to take a stand against the two wild girls in their class who are always roping them into risky behavior. She is also very affectionate toward her three-year-old sister, despite the little girl’s tendency to say embarrassing things and pee in Georgia’s room. Later on in the series many of the characters gain amusing epithets—the little sister is “Mad Libby” and Georgia’s rival is “Wet Lindsey.” In fact, what really distinguishes Angus from other humorous chick lit is Georgia’s unusual style. She uses a combination of British slang and her own invented vocabulary that sometimes makes her difficult to understand, but adds greatly to the humor of the book. (There is a helpful and hilarious glossary provided at the back of the book for those of us who are not British or 14.)

Stina Nielsen, the reader for the audiobook, gives a great performance. She expressively conveys Georgia’s frequent mood swings and provides many of the other characters with distinctive voices, too. My one complaint is that her accent isn’t from Northern England (as Georgia’s should be), but since that accent is often terribly difficult to understand, perhaps it’s for the best.

Curriculum Ties: N/A

Booktalking Ideas: Read excerpts from the glossary at the back of the book.

Challenge Issues: Mild sexual content
In the defense file, I will include my library's selection policy, ALA's Library Bill of Rights, ALA's guidelines on free access to libraries for minors (http://www.ala.org/ala/issuesadvocacy/intfreedom/librarybill/interpretations/freeaccesslibraries.cfm), and ALA's strategies and tips for dealing with challenges to library materials (http://www.ala.org/ala/issuesadvocacy/banned/challengeslibrarymaterials/copingwithchallenges/strategiestips/index.cfm). I will also include my library's reconsideration form, in case challenges to this book cannot be defused with "tea and sympathy." I'll put in positive reviews (of the original book) from Booklist, VOYA, and Publisher's Weekly (which notes that for Rennison, no topic is sacred). I'll also include a lukewarm review from Children's Literature.

About the Author
Louise Rennison lives in Brighton, a place that she likes to think of as the San Francisco of the South Coast. Which is sad as it is nothing Like San Francisco, being mainly pebbles and large people in tiny swimming knickers who have gone bright red in the sun. Although she lives in Brighton in reality, in her mind she lives somewhere exotic with a manservant called Juan. This is because she lost her mind after Angus, Thongs and Full-Frontal Snogging catapulted her into the spotlight of fame.

In her twenties, Louise lived in Notting Hill Gate, “in a one bedroomed flat owned by Roxy Music which was quite cheap… because five of us were sharing it.” After an assortment of jobs (playleader, dental nurse etc) and traveling, Louise rekindled a childhood dream and enrolled on a Performing Arts course in Brighton. However, as John Lennon famously wailed, ‘genius is pain’ and her career as a performance artist got off to a shaky start. After an audition in which Louise was asked to be an embryo, her tutor remarked, “You are obviously a very intelligent girl, Louise, but you must never go on stage again. Your performance made me feel physically sick.” Despite this, and displaying astonishing Northern grit, Louise continued to perform.

Her first one-woman autobiographical show, Stevie Wonder Felt My Face, won great acclaim and awards at the Edinburgh Festival in the 80s and millions watched the subsequent BBC2 special. Since then, Louise has continued to perform her own shows (Bob Marley’s Gardener Sold My Friend and Never Eat Anything Bigger Than Your Head.) She works frequently for Radio 4 being a regular contributor to Woman’s Hour and The John Peel Show. She has also written for and with many well-known comedians (and Russ Abbott).

Louise’s research for her books requires many hours hanging around with 14-year-olds which is, as she says, “Brilliant – the best fun known to humanity. It’s all boys, make-up, laughing and, er, that’s it.”

http://www.georgia-nicolson.co.uk/events/


Why is this title included?
Angus is the first in a popular ten-book series that teens are likely to read and reread. It's on many best-of lists, including Booklist Editors' Choice: Books for Youth, 2000; ALA Top 10 Youth First Novels, 2000; YALSA Best Books for Young Adults, 2001; and YALSA Quick Picks for Reluctant Young Adult Readers, 2001. It's also won several awards, including American Booksellers Book Sense Book of the Year (ABBY) Award, 2002 Finalist Children's Literature; and a Michael L. Printz Award Honor (2001).